"That was what I was trying to do at the end.”įresco said that ultimately, Sheila is optimistic about her family's future, which aligns with her taking the call to show the listing once again, even when she and Joel are physically restrained. ![]() "I really wanted to have a certain facial expression for her going out, so if you were to ever look at the way she looks at the moment you come into the show, they're very different faces attitudinally, sort of of bone structurally, like internal dialogue-y, having lived that experience," Barrymore said of Sheila's final eyebrow raise. But a lot of planning did go into Barrymore conveying where Sheila's mind is at in the finale's last scene. "It's like all the same dialogue, it is the house, so there's just something about a life goes on and that daily sort of wonderful monotony, like, isn't monotonous for them anymore.”īarrymore and Fresco said that Sheila didn't plan for this outcome, with Joel safe in the mental institution. "She's talking about the first house they're talking about when they're burying Nathan Fillion," Barrymore said. She enjoyed that the ending takes Sheila back to square one: She's till trying to sell the listing she and Joel have been showing the whole season, even though both are physically restrained indefinitely. "I fucking hate ambiguity when I'm like, Dot, dot, what? Dot, dot, fucking fall off, what?” To her, Santa Clarita Diet's finale falls into the former category. ![]() “I like ambiguity when it feels satisfying," Barrymore said. The finale, Barrymore said, "was the only episode where I was like, constantly bothering Victor and showing up like Tracy Flick from Election with my papers." Getting the ending right to the premiere season of Santa Clarita Diet was very important to Barrymore, and she had a lot of feelings about it going in that she wasn't shy about sharing with creator Victor Fresco.
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